Lev Vladimirovich Kuleshov and The Moscow Film School Essay

When film first started gaining popularity, it want’s as obvious that be connecting two different images, we would assume their relation. Film simply document events that occurred, it wasn’t until the enterprising pioneers of early cinema took hold that they began to manipulate their audience into following a story their way and feeling it in those exact steps. Lev Vladimirovich Kuleshov a Soviet filmmaker and film theorist in the 1920s who taught at and helped establish the world’s first film school, the Moscow Film School. He was one of the very first film theorists and one the great pioneers of early editing regarded amongst worldwide filmmaker and he is famous for what became known as Soviet Montage. From Kuleshov perspective, the†¦show more content†¦This is order to show how editing changes viewer’s interpretations of images and how film uses psychology. Kulsehov experimented with this and achieved the Kulsehov theory. This technique is known as juxtaposition, one the most effective tools on cinema just by juxtaposing a variety of concepts one can get a funny joke across, or complete lie across the audience. Kuleshov coined the term collective geography to describe cinema ability to link entirely unrelated material into coherent sequences. This discovery provided filmmakers with arms of varies techniques to manipulate the audience but in this they also recognized the audience has an active in creating meaning. Kuleshov was not just concerned with editing; he believed that the key to effective filmmaking was in organization. In addition to his theoretical work, Kulsehov was also a director of many feature films and he was a leader in Soviet montage theory, which was an approach to understanding and creating cinema that relies heavily upon editing. Some consider Kulsehov the father of Soviet Cinema, having been the first to publish about the formal possiblites of the medium and the power of montage editing. A montage is French for assembly or edit, it involves pieces of footage to make a film. During the Russian Revolution Kuleshov documented the war on the Eastern Front in documentary on the Red Front in the 1920s. Around that time, Kuleshov was deeply impressed and